Sunday, 14 July 2013

How Farhan Akhtar became Milkha Singh

How Farhan Akhtar became Milkha SinghFarhan Akhtar has come a long way from 2004, when he had just directed 'Lakshya', and would walk out of Mumbai's Otters Club in exactly 15 minutes after a haphazard weight training session.

"I was never fond of it," he smiles. It was after he met trainer Samir Jaura that he realised he has an active metabolism, and his body is ectomorphic or lean. "If I don't work out, I lose weight instead of gaining it," he says.

Bhaag Milkha Bhaag director Rakeysh Omprakash Mehra told Jaura to sculpt Akhtar's body like Brad Pitt's inFight Club. "The idea was to get an athletic body, not the bulkyGhajini-type," says Jaura. Akhtar started training in November 2011, beginning with a one-hour-a-day regimen, four days a week. It gradually went up to six hours a day, six days per week. Here, Farhan describes how he became Milkha Singh.

The workout plan: I sport two looks in the film - the bulky soldier and the lean runner. I stand 5'9" tall and weigh 66 kilos. To bulk up, I had to gain an additional eight kilos. And later, I lost 10 kilos to weigh 64kg for the second look. 

What it took: I had to first correct my sleeping pattern. No late-night parties. I was in bed by 10pm and up by 5.30am. I trained for two hours, three times a day.

Athletic training: At 6.30am, I'd start my athletic training with coach Melwyn Crasto atPriyadarshini Park in Mumbai. It involved one-and-a-half hours of sprints and flexibility exercises. Because running has a neuromuscular component, I was taught drills that break the monotony of running and help coordinate body movements. Referred to as the ABC of running, these drills isolated the phases of the gait cycle - knee lift, upper leg motion, and pushoff - and helped me become a near professional runner.

The 'A's involve exercises that work on the knee drive, 'B's on leg extension and 'C's helped with pull through. When Milkha ran, his right hand would bend inwards. And Crasto helped me get that right. By the end of each session, I would complete 12 sprints of 100 metres.

Functional training: After resting for six hours, it was time for functional training (working against gravity with your body weight; climbing up a rope or hanging from a height) and abdominal exercises for 1.5 hours. This ensured flexibility. I'd pack in 12 sets of ab crunches. One set included 200 repetitions, which means I did about 2,500 repetitions in all.

Weight training: At 6pm, I'd spend two hours doing a combination of Hypertrophy Strength Training (HST) and Tabata. This was for the first six months. HST induces the fastest muscle growth over an extended period without the use of steroids. 

It involves increasing the load on muscles consistently with every session. This ups activity within a muscle cell, making it sensitive to incoming nutrients for repair. Every day, I'd work on my legs, back, then chest, shoulders, biceps and triceps. This was a 12-week programme. As the weights kept getting heavier, the reps decreased. After three months, I moved to Tabata, a high intensity workout in which I had to pull off maximum repetitions in a given period. We combined two muscle groups every day - chest-biceps, back-triceps, and shoulders-legs. I did eight-10 sets (each lasting 90 seconds) per body part.

In the last six months, when I was supposed to slim down, I moved to endurance training with weights. We combined two muscle groups in a day and did 15 sets of 100 reps per body part. The weights remained consistent throughout all sets. I finished training in December 2012. I was left with just 5% body fat.

What I ate: I gave up rice, chapati and bread. Instead, I got my carbs from fruits and vegetables.To bulk up for Look 1 (soldier), I was having 3,500 calories a day and five litres of water. My diet remained the same for Look 2 (runner), but the portions became smaller and I was down to 1800 calories.

I would have an omelette of six egg whites and mushrooms with orange juice for breakfast. The food was bland; I couldn't have salt because the water retention would make me look puffy. Two hours later, I'd have a bowl of oatmeal with half a glass of skimmed milk. Half an hour later, I'd follow it up with nariyal paani.

Lunch was sauted broccoli, asparagus, beans, baby cabbage and pak choy (250 gms) along with grilled chicken (150 gms), all made in olive oil. I'd have a protein shake after two hours. Berries were the only fruits I could eat as they are low in glycemic index and provide the right antioxidants. Every evening, I'd have a bowl of boiled chana or moong salad with cucumber, tomatoes and a low-calorie dressing.

Dinner was the same as lunch, but basa or salmon replaced the chicken. Before going to bed, I'd have a protein shake.

And I craved: I love ice cream and gulab jamuns. My only cheat while training was a big glass of Dilli lassi every 15 days.

I suggest: You set a goal. It will push you towards what you want to achieve. 

Pran sahab's face was bigger on posters than Amitabh Bachchan: Ghai

Pran sahab's face was bigger on posters than Amitabh Bachchan: GhaiPran sahab's face was bigger than Amitabh Bachchan's on posters, says director Subhash Ghai

The first thing that comes to your mind when you hear of someone's demise is the qualities of the man. Even his enemy cannot escape it. That's how we are. That's exactly what happened to me when I got to know that Pran sahab said 'goodbye' to this world. I was in the middle of recording sessions of Kaanchi with my musicians when I heard the news that he passed away.

My musicians whispered 'Sad'. I reacted: 'Why sad?'. He completed his journey gracefully filled with dignity, accomplishment and achievements with the best of honours getting the Dadasaheb Phalke award last year.

What more do you want in life in your last years? Our music session came to a pause when I started telling them what a great person he was. I used to read about him in my childhood that though he played a bad man, he was a complete gentleman in his life. And it was confirmed when I worked with him in three films.

Every time I narrated a story, he would listen, smile and react as if he was a newcomer and was begging for a good role. Amazing! Though at that time he was a huge star and films were bought and released on his name, his face was bigger on posters than Amitabh Bachchan. People loved Amitabh's character, which was stronger than the strongest man called Pran.

I knew him through my films when he played Golu Gawah in Vishwanath, Kabira in Karz and Muktaanand in Krodhi. The very first day I met him in his house was when I had gone to narrate him his role in my second film Vishwanath. He very fondly showed me 65 paintings of the characters he'd already played. After hearing the story, he started talking about his character in the script as if the whole film belonged to him. That day I picked up one thing from him — you never grow old in movies. You remain a child till the end of your life.

During the shoots, he would come before the call sheet time, which would make us uncomfortable since he was a senior. But he would bring something to the table about a scene he was going to shoot that day. And he would accept my rejection very gracefully saying, "You are the captain of the ship." And we both used to laugh. He was a delight to work with for every director and he was generous to his producers.

Pran sahab retired gracefully and professionally, 20 years back. But the fondness and respect we had for him never diminished, but grew. He deserved the Dadasaheb Phalke award much earlier. I know he would have showed it to all his friends like a child.

Goodbye, Pran sahab, you have left a lot of 'samaan' for us to learn

If I had a son I would have named him Pran: Kapil Dev
Legendary actor Pran was a sports lover and cricketer Kapil Dev got a glimpse of it way back around 1980, when he had to undergo a knee surgery.

Says Kapil, "I had to go to England for the operation and in those days, the cricket board didn't have as much money. Suddenly, I got a call from Pran sahab, who told me he would bear the entire expense. He said, 'Don't worry about anything. Just don't compromise on your health.' I was so touched by that call. Of course, eventually, the board and my family together managed it all. But, it was so nice of Pran sahab to offer to help.. and I had met him just once before that. My respect for him increased manifold. He was a great human being, apart from being a legend in his field."

Kapil adds, "Over the years, I have been one of his silent admirers. If I had a son, I would have named him Pran."

Some of Pran's memorable films
Khandan (1942), Ziddi (1948), Sindbad The Sailor (1952), Chori Chori (1956), Azad (1955), Devdas (1956), Halaku (1956), Tumsa Nahin Dekha (1957), Madhumati (1958), Raj Tilak (1958), Jis Desh Mein Ganga Behti Hai (1960), Half Ticket (1962), Kashmir Ki Kali (1964),Shaheed (1965),Ram Aur Shyam (1967), An Evening In Paris (1967), Upkar (1967), Aurat (1967), Sadhu Aur Shaitaan (1968), Brahmachari (1968), Nanha Farishta (1969), Johnny Mera Naam (1970), Heer Ranjha (1970), Purab Aur Paschim (1970), Victoria No. 203 (1972), Parichay (1972), Dharma (1973), Zanjeer (1973), Bobby (1973), Majboor (1974), Amar Akbar Anthony (1977), Don (1977), Naseeb (1981), Souten (1983), Sharabi (1984),Sanam Bewafa (1990), Isi Ka Naam Zindagi (1992), 1942: A Love Story (1994), Tere Mere Sapney (1996)

More about Pran...
His first role was as Sita to Madan Puri's Ram in a local Ramlila in Shimla in 1938.

He wanted to become a photographer and even assisted one in Shimla. A chance meeting with a producer got him his first film, Yamla Jat in Punjabi in 1942.

When he came to Mumbai after Partition, he didn't get any work. Writer Saadat Hasan Manto recommended the actor for Ziddi (1961) starring Dev Anand and Kamini Kaushal.

From 1969 to 1982, the only actor to be paid more than Pran was Rajesh Khanna. And reportedly, he was paid thrice the fee Amitabh Bachchan got for Don.

He was best friends with Ashok Kumar and of the 27 films they did together, 20 were hits. He was also said to be great friends with Shammi Kapoor, Shashi Kapoor, Dilip Kumar, Manoj Kumar and Kishore Kumar.

According to him, one of his biggest losses during Partition was his dog. Later, he got three dogs, and he named them Bullet, Whisky and Soda.?

While shooting for the climax sequence in Bobby, Pran almost drowned in a river. Fortunately, he managed to get hold of a rock and saved himself. Interestingly, Raj Kapoor couldn't afford the actor's fee. Pran agreed to a signing amount of 1.

The part in Majboor, when his character views distant things with imaginary binoculars — a mannerism that was inspired by a director he'd earlier worked with.?

At 56, he broke his ankle when he insisted on doing a stunt himself — jumping from a height of 15 feet for a scene in Dus Numbri.

In the early 1960s, he played a real hero to Waheeda Rehman, when they were attending a party in Chennai. Some of the revelers got drunk and tried to misbehave with her, and reportedly Pran came to her rescue.

Reportedly, the first time he was admitted to hospital for health reasons was in 1998, when he had a heart problem.

Thursday, 13 June 2013

Police get report on Jiah Khan's abortion

Police get report on Jiah Khan's abortion

The medical reports related to actress Jiah Khan's abortion have been received from a hospital were the procedure was conducted, police said here on Wednesday.

"There have been no new developments so far. We have received the medical reports from the hospital where the foetus was aborted," a police officer told IANS.

A lawyer of arrested suspect Suraj Pancholi, son of actor Aditya Pancholi, said they will be able to give out more information later.

"We will be able to give out more information tomorrow," said Zameer Khan, who appeared for Suraj in a city court.

Suraj was arrested June 10 for allegedly abetting the suicide of Jiah Khan. He will be questioned in police custody till June 13.

Jiah mentioned about her abortion in her six-page letter, which was handed to police by her mother, police said.

Police sought the report on the abortion to corroborate the information in Jiah's letter.

Suraj's arrest came barely two days after Jiah's family handed over to police the note penned by her. It was recovered by the actress's kin three days after her suicide June 3.

Courtesy TI

Monday, 10 June 2013

‘I can’t be funny all the time’


Says Boman Irani has he talks about his Blu-ray collection and how he uses humour to get out of sticky situations
“I can’t be prancing around all the time trying to be funny. I am human after all,” says Boman Irani about the after- effects of the roles he has selected to do. For the multi-faceted actor, acting wasn't his first love. Before he was bitten by the acting bug, Boman was a well-known photographer and theatre artist. But everything did not come easy to him. From selling chips to waiting tables at a five-star hotel, Boman has done it all.The actor has donned a new role and that is of a chat show host of Teachers Achievers Club and as part of the show which will feature achievers from various fields. The candid conversations will be dotted with video from friends and family of the guests. “It is a humbling experience to listen to their journey and the common thread running through each of them is humility,” he says. In a free-wheeling chat, the actor talks about his show, the films he selects and his love of collecting blu-ray discs of NASA expeditions.
Excerpts from the interview:
How is Teachers Achievers Club different from other chat shows?

It is not restricted to any particular field. We have selected achievers from different field-sports, films, business etc. The purpose of the interviews is to reveal the human side of success. Through the show, the achievers will talk about their professional highs and lows, their vision and ideologies, disclose personal anecdotes and discuss what it took them to get where they are and how they have maintained level-headedness throughout. This show is like a self-help book for the young generation.
Having eminent personalities mean there is nothing much to discover. How did you deal with that aspect?
It is true that a lot has already been said and discussed about their lives and much has been spoken. But I have been told by the people I have interviewed that this is the best researched chat show they have been a part of. My research team did an exhaustive research by talking to friends and family and made sure that we explore a different facet of their personalities.  So when you talk to a Vidhu Vinod Chopra, you will see him in a different light. How he coped up with his failures and turned it to his success.
What kind of research did you undertake?
I was a part of the research team and all of us sit together and brainstorm multiple concepts that we put together.  It is good to be involved in the preparations for every episode because I have to make sure that my guests are comfortable. You can’t stop between a conversation and the idea is not to ask embarrassing songs but to put out the questions in an interesting way.
What are your learnings from the show?
I am just an audience’s representative. The lessons I learn are the lesson which the audience learns as well. It is a humbling experience to listen to their journey and the common thread running through each of them is humility. The greater the achiever, the greater is the humility. I loved what Narayana Murthy said. ‘The power of money is the power to give it’. People only know Sabyasachi as a designer. Not many know the side of him that thinks about creating jobs for artisans and keeping our cultural heritage intact. It is a great learning experience.
You have dabbled with TV and films. Which has been a more satisfying?
I believe in living in the moment. So when I am doing films, I concentrating on that and when I am doing TV, which is what I enjoy doing then.
What kind of shows do you like watching?
I don’t watch too much TV but I am a collector of blu-ray DVDs of NASA missions. I like watching works of Richard Attenborough, Planeteer etc. I only like watching shows on HD. I catch up on lot of comedy too.
Most shows on TV are family shows with predictable plot. What are your views?
I think, at the end of the day, the audience needs to be entertained. I have nothing against the saas bahu sagas because there is a section of society who wants to watch then which explains their demand. Personally, I like watching the shows on news channel especially the public discussions. Cinema on the other hand is very progressive and the burst of new-age films is very encouraging.
In terms of fleshing out a character -- his nuances, his eccentricities -- how much of it is actually down to the script and how much is down to improvisation?
Character building is not improvisation. Even if it is not in the script, it is actually an interpretation of the script. It is a part of the story. For example a Virus from 3 Idiots may not be written exactly the way I interpreted but the basis of the character was in the script itself. Virus’ character is grim and dark and he is a man from the past- right from the way he walks to his speech. That’s how you develop a character though the specifics are meant to be discovered.
Do you use humour to get out of sticky situations?
I use it all the time. Humour is a very powerful weapon and when used rightly can lighten situations. Having said that, I’m not funny round the clock. I’m not chirpy through the day. I am human. I can’t be prancing around all the time trying to be funny. People often expect me to be funny all the time.
Which has been the most challenging role till date and the most satisfying?
I have enjoyed doing every single role but if I have to pick up one role, it has to Well Done Abba. We had a 32-day schedule away from Mumbai for it and when you’re shooting at a stretch, you really get into the character. It was unlike any role I have played, in terms of language, tone and culture. Before shooting, I had thought Shyam Benegal would be quite serious but we had so much fun.
What has been your biggest learning curve?
Every role is a new role and every role has to be approached as a new film.
Catch Boman in action at the Teachers Achievers Club on STAR World on Saturdays at 8 p.m

'Learnt about life from films'




Says Tamannah Bhatia who makes her Bollywood debut in 'Himmatwala' opposite Ajay Devgn

It has been a busy day for Tamannah Bhatia as she promotes her upcoming film. As she takes a break and he runs to vanity van for a quick touch-up, we tag along for an interview. For an actress who is making her Bollywood debut, Tamannah is confident. But this air of self-assurance comes from years of working around the industry mechanisms. The actress who is making her Bollywood debut opposite Ajay Devgn in Sajid Khan's 'Himmatwala' is a known face in the South. She made her acting debut in 'Chand Sa Roshan Chehra' in 2005 before flying down South and working in Tamil and Telugu films. As her hair gets styled, Tamannah chats with us about 'Himmatwala'. Here's the excerpts

From Mumbai to South Indian films; how did that happen?

I was in school and started my career with a Hindi film and post that south Indian offers started pouring in and the age that I was in, I was open to exploring new opportunities. At that time, I didn’t even have a portfolio and I had movie after movie coming in. I knew I wanted to be an actress and I was lucky enough that my parents supported me. I continued studies and south films till I got very busy. I was in school and the producer of the film wanted to cast and my school teacher recommended my name. I auditioned for it and got the role.
Ajay Devgn unplugged

You have worked in both the industries. How are they different?
 
The similarity is that the film making process is the same- the expectation, money etc. The way both the industries function is the same. The difference is in the culture. North India and South India has different culture and that is what is reflected in the films.  When I was working with Sajid, he was very punctual and systematic. A lot of homework and research went into it since the film was based in the 80s. The looks, the costume, everything had to be taken care of.


‘I kissed Ali Zafar in my first meeting’

Taapsee is all set to make her Bollywood Debut in David Dhawan’s comic caper ‘Chashme Baddoor’ where she would be seen getting wooed by three young lads, Ali Zafar, Siddharth and Divyendu based amidst the sands and beaches of Goa. The Southern star will reprise Deepti Naval’s role from the film

Formula films don’t work for me’

Formula films don’t work for me’

Says John Abraham as he talks about his character in ‘Shootout At Wadala’ and choice of films

When John Abraham burst into the small screen with ripped body and dimpled cheeks in ‘Jism’, the critics were quick to put him under ‘models can’t act’ slot. The film grabbed a lot of eyeballs for its erotic content and audience approved of his chocolaty looks. After a string of flops, his role in Yash Raj’s Dhoom set him in the league of A-list actors and proved that he was here to stay. After 11 years in the industry, he is gearing up for a life-changing performance as Manya Surve in Sanjay Gupta’s ‘Shootout At Wadala’. In a candid chat, John talks about his character and why formula love stories don’t work for him.


Excerpts from the interview:

What were challenges involved in playing a real life character? Did you battle self doubt?
It was a challenge but I took it up. What helped me is the research for the character. Where he came from, his background. We spoke to the police officers, relatives and to Isaque Bagwaan, who was responsible for his encounter. Moreover, I relied on my director’s instructions completely.
In terms of fleshing out Manya’s character -- his nuances, his eccentricities -- how much of it is actually down to the script and how much was your improvisation?
I am a director’s actor and I am as good or as bad as my director is. This is a career defining role for me. We’d done a lot of research on Manya Surve from a photograph we were given by the cops. Manya Surve was a Mumbai Shri - a professional body builder, so I had to match up to his body type.
Whenever we take up incidents from real life and make a film, we end up to some extent, glorifying the person and painting a larger than life image. Is Shootout At Wadala any different?
We haven’t resorted to glorifying him because at the end of the day, he was a dreaded gangster. There is no heroism in crime and we have been honest and stuck to the facts. It was a challenge to show 1970s Bombay, so we shot in areas in South Bombay where time has just stopped.
Have you ever been unsure when you're on the set? What's your level of confidence versus insecurity and doubt?
Everyday. When I came into the industry, I was not sure if I will make it. Even after all these years, I am unsure on the first day of the shoot. You can be never sure about what will work with the audience.But I have learnt and grown as an actor with every film and I am happy and grateful that my audience has stood by me through these years.
What are your learnings as an actor?
I have experimented a lot with the kind of films I do. If you look back at the kind of filmography I have, you will see that I have experimented with my characters and my looks. But entertainment media needs to appreciate this though I feel actors should start reading reviews to understand where he needs to improve.
So do you read reviews?
If you are a public figure, there is bound to be criticism but I use the negatives positively to make myself more superior, better and stronger. I basically read their point of view. Have you heard about bravery on net? There are no faces which is why they deem it right to write anything. I find this extremely laughable. I think barring a few journalists, the entertainment media is in crisis today. Earlier journalists reported stories, now they create stories. It is in bad taste.
When you look back at your past films, do you ever think of changing something?
I think maximum growth has been as an individual. I have matured, settled down mentally. As an actor the growth has been tremendous too. Though I am happy with the films I have done, I have realized that I should stay away from formula films. Those have never worked for me and I am not made for them. I should stick to films like Force or Dostana or characters which have some amount of grey in it.
Courtesy Yahoo